BANK TYPE: VCV Japanese. Has a natural and a soft tone.
RANGE: BASS
EXTRAS: Glottal stops, vocal fry, end exhales, inhales, exhale + inhale, beginning exhales, beginning inhales, beginning exhale + inhale, English R, English V, English L, unvoiced dental fricative (like in thing, or in thought), voiced dental fricative (like in this, or in them), Fu/Hu distinction (ふ is an anglicized "f" sound wheras ほぅ is closer to standard Japanese pronunciation), and an art folder.
The host of the system, Ongaku has a soft tone and a core tone that can be best described as dark or neutral, held in the bass range. Her voice can be paired well with ballads, soft pop, and piano-centered pieces. Highly responsive to most kinds of tuning, this bank is beginner-friendly. These two expressions would be considered the "defaults" to this voicebank collection.
BANK TYPE: VCV Japanese
RANGE: BASS
EXTRAS: Glottal stops, vocal fry, end exhales, inhales, exhale + inhale, beginning exhales, beginning inhales, beginning exhale + inhale, English R, English V, English L, unvoiced dental fricative (like in thing, or in thought), voiced dental fricative (like in this, or in them), Fu/Hu distinction (ふ is an anglicized "f" sound wheras ほぅ is closer to standard Japanese pronunciation), and an art folder.
The sexual protector of the system, Red has a strong, VKei style tone that is set in the low tenor to bass range. His voice is best suited for songs that require more power, including genres like rock and trance. Red is considered very responsive to minimal tuning and is generally easy to work with. The suffix for this expression is R.
BANK TYPE: VCV Japanese
RANGE: TENOR
EXTRAS: Glottal stops, vocal fry, end exhales, inhales, exhale + inhale, beginning exhales, beginning inhales, beginning exhale + inhale, English R, English V, English L, unvoiced dental fricative (like in thing, or in thought), voiced dental fricative (like in this, or in them), Fu/Hu distinction (ふ is an anglicized "f" sound wheras ほぅ is closer to standard Japanese pronunciation), and an art folder.
Serving as a trauma holder, Joshua's voice can be best described as nasally and bright, held more in the tenor range. He fits into genres that require a bit more of a bright tone, such as pop overall. While a bit more finicky, he still responds well to fairly minimal tuning styles. The suffix for this expression is J.
BANK TYPE: VCV Japanese
RANGE: BASS?
EXTRAS: Glottal stops, end exhales, inhales, exhale + inhale, English R, English V, English L, unvoiced dental fricative (like in thing, or in thought), voiced dental fricative (like in this, or in them), Fu/Hu distinction (ふ is an anglicized "f" sound wheras ほぅ is closer to standard Japanese pronunciation), and an art folder.
The prosecutor of the system, Eugene's voice is extremely gravelly, serving as a "screamo" style vocal type. His voice fits as an effect in genres such as metal and heavy rock. This bank is not made for beginners, and does require a lot of work for it to sound properly. The suffix for this expression is E.
BANK TYPE: VCV Japanese
RANGE: BASS
EXTRAS: Glottal stops, end exhales, inhales, exhale + inhale, English R, English V, English L, unvoiced dental fricative (like in thing, or in thought), voiced dental fricative (like in this, or in them), Fu/Hu distinction (ふ is an anglicized "f" sound wheras ほぅ is closer to standard Japanese pronunciation), and an art folder.
The primary protector of the system, Yoro can be best described as a dark, heavily accented (British) vocal in the bass range. His voice would fit into songs with softer instrumentals or work well as bass harmonies for choir based songs. This bank does require a bit more tuning, but does work well with fairly minimalistic styles. The suffix for this expression is Y.
BANK TYPE: VCV Japanese
RANGE: TENOR
EXTRAS: Glottal stops, end exhales, inhales, exhale + inhale, English R, English V, English L, unvoiced dental fricative (like in thing, or in thought), voiced dental fricative (like in this, or in them), Fu/Hu distinction (ふ is an anglicized "f" sound wheras ほぅ is closer to standard Japanese pronunciation), and an art folder.
The little of the system, Maya's voice can be best described as childish, cutesy, and sweet, held in the tenor range. Her voice is best suited for bubbly types of music, as well as general pop music. This bank is relatively easy to work with and works well for beginners. The suffix for this expression is M.